Senin, 29 Agustus 2011

Qualicum Beach Smiling Rock

I was visiting Qualicum Beach this weekend and someone put this rock down on the beach path. It put a smile on my face. Thank-you – whoever you are!

Smiling Rock Qualicum Beach  
PATRICIA GRAY INC is an award winning interior design firm writing about lifestyle and
WHAT'S HOT in the world of interior design, architecture, art and travel.
2011 © Patricia Gray | Interior Design Blog™

Kamis, 25 Agustus 2011

10 Things to do in New York in the Summertime

1. Sit on the grass roof terrace at Lincoln Center. This stylish sloping green lawn is situated on top of a restaurant at the recently remodelled Lincoln Center and overlooks Lincoln Center’s reflecting pool and Henry Moore sculpture. The night I was there was a perfect summer night and the bonus was it was a full moon which hung in the sky with the city scape of New York below it. I had a hard time leaving.

2. Visit Vicente Wolf. I met Vicente when he was in Vancouver this Spring and he invited me to drop in and see him when I next in New York. He showed me around his office and then his showroom which is packed with treasures that he purchases on his yearly trips to exotic locations.

Vicente Wolf New York Showroom
3. See a play in the theatre district. This time I saw Wicked at the Gershwin Theatre. It is the story of the Wizard of Oz long before Dorothy drops in, and the relationship of the Wicked Witch of the West and Glinda the Good Witch. It was a great show. Be sure to dress up and have a nice dinner before the theatre, as I think it makes the experience all the more special.

Wicked NYC Curtain                                        A close-up picture I took of the curtain before the show started
4. Have dinner at:
La Esquina in Soho 
You have to walk down a flight of stairs and through the kitchen to get to the restaurant. Book well in advance as it is very popular. It is the best Mexican food I have had outside of Mexico. I was told by a friend to try the deep fried Crickets. I was happy when I was told that they were no longer on the menu so I didn’t have to lie and say I had them. They also have a selection of over 200 premium tequilas. The waiters wore red t-shirts with ‘SEXICO’ on the front. 

Le Colonial in the Upper East Side
The ambiance of French Colonial Vietnam (Indo Chine) of the 1920’s has been recreated in this two storey townhouse, decorated with black and white period photos, ceiling fans, lush potted palms. I had one of their signature dishes - Vietnamese crisp-seared whole red snapper with a light, spicy and sour sauce. Yummm!

5. Have lunch at Bergdorf Goodman’s restaurant, decorated by Kelly Wearstler and overlooking Central Park. 

6. Shop, shop, shop
My favourite street is Madison. I start at Barneys at 61st and walk up to 70th and then down 70th to visit one of the most beautiful galleries in New York - the Frick, with a stop at the Nespresso Boutique between 65th & 66th for an Iced Latte and the best quiche outside of Paris. This trip I also “did Soho” and discovered some new stores:

7. Walk Central Park South East
I never knew this pond was here in Central Park. As we were walking back to our Hotel after our shop, shop, shop afternoon, I saw the trail lead into Central Park – you enter off of 5th Ave and 60th Street. In a few short moments we were transported into another world – a perfect escape from the hustle and bustle of the city. It is situated below street level, and  the noises of the city are left behind. We were able to walk through the lush park almost all the way back to our Hotel. 

NY Central Park South

8. Visit Francine at Interieurs. Francine is a friend of mine that I met through the Blogosphere. One of the highlights of my visits to New York is to visit her at her wonderful store and then go out to dinner together. Francine has one of the most outstanding roof decks in all of New York where she hosts many parties in the summer. There is never enough time to catch up on everything. She is busy working out with a personal trainer to prepare herself for climbing Mount Kilimanjaro in September.

Interieurs NYC

9. Have drinks at the Empire Hotel which is where Gossip Girls is filmed and has the official drink Cocktail List of the ‘Gossip Girls’ TV show with catchy names like: I’m Chuck Bass – Dewar’s Scotch, Red Apple, Ginger Bites and Apple Cider. You can read the Cocktail list here.

10. Visit MoMA
Get there early especially if you go on the weekend. We arrived at 10:30 on Sunday morning with a short line-up and by the time we left at 12:30 the line-up outside was down the street and around the corner. I head up to the top floor (and work my way down) to see my favourite painting – Monet’s Water Lilies which I could feast my eyes on forever. It is an amazing 42 feet in length. Tip: This trip I purchased a membership which is very cost effective and means you don’t have to stand in a line-up.

Monet Water Lilies MoMA

PATRICIA GRAY INC is an award winning interior design firm writing about lifestyle and
WHAT'S HOT in the world of interior design, architecture, art and travel.
2011 © Patricia Gray | Interior Design Blog™

Rabu, 17 Agustus 2011

Luxury Home

“An upfront interview process allows this Vancouver design firm to meet
all the design needs of busy professionals”.
Luxury Home

Luxury Home Patricia Gray IncPATRICIA GRAY INC
story by Romy Schafer
photos by Roger Brooks

For nearly 30 years, Patricia Gray of Patricia Gray Inc. has been creating one-of-a-kind residential installations for individuals too time-pressed to contemplate their design wants and needs, much less deal with the inherent challenges of renovating a room or entire home. “Most of the clients I work with are busy professionals, so I handle all the details for them,” says Gray, principal of the Vancouver-based design firm, which has executed projects in the United States, Canada, Japan, Singapore and Africa.


“All the details” typically range from ascertaining a client’s needs and wants to designing custom furnishings to arranging amenities. “I offer a complete service for my clients—everything that’s required in making a space personalized for them,” she says, noting that she also does full design-build project management.

LUXURY HOME PATRICIA GRAY INC 1Thousands of sheets of silver leaf were hand applied to the recessed ceiling, reflecting the crystal chandelier, sunlight through the floor-to-ceiling windows and the water of False Creek.

Gray’s recent installation at Vancouver’s The Erickson—a 17-storey residential tower designed by and named for world-renowned architect Arthur Erickson—illustrates her complete-service approach. When a busy San Francisco couple commissioned Patricia Gray Inc. to turn their spacious two-bedroom, three-bath condominium into a second home for impromptu visits, the designer looked to a luxury, five-star hotel for her inspiration. “They wanted a home that they could come to on the spur of the moment and everything would be ready for them,” she explains. “I set up flower delivery, maid service, laundry service and concierge service, so the clients can just send emails [to these service providers] when they decide to come to Vancouver. When they leave, the maid service cleans everything up.”

LUXURY HOME PATRICIA GRAY INC 2Limestone countertops and backsplashes, SieMatic cabinets and Miele appliances give the kitchen a modern, European look.

So how does Gray, an award-winning designer who studied at the Parsons School of Art and Design in Paris and the University of Ferrara in Italy, determine clients’ design preferences and needs—something they often don’t know themselves? “I arrive at that through my extensive interview process,” she explains. “I ask them how they’re going to live in their space, what their entertainment requirements are, what their family requirements are [and so on]. Then, I get to know them, and the style evolves by osmosis.”

Thoroughly acquainting herself with clients’ lifestyles at the project’s onset enables Gray to develop a complete design concept for them, “so they know exactly what their home is going to look like when it’s finished, before we even start,” she says. “Everything’s designed and priced. Then, they approve the concept and the budget, and I proceed from there,” ultimately handing over a completed, customized new home.

But, as every experienced designer knows, the journey from the initiation of a project to its completion can be filled with challenges. “There’s a lot of coordination to do with all the different suppliers and sub trades involved,” Gray explains. “It’s one thing to be able to design something very beautiful, and it’s another thing to be able to execute it. The great challenge is in the execution—it’s like putting together a gigantic jigsaw puzzle. All the pieces have to fit together, and everybody’s got to work together to bring it to fruition.”

LUXURY HOME PATRICIA GRAY INC 3Adjacent to the kitchen, accordion-style doors open the entire 20-foot width of the balcony. Views of the downtown Vancouver skyline and the mountains can be seen in the distance. Patricia Gray Inc. custom pillows in Sunbrella fabric. 

For Gray, working with high-level tradespeople and artisans is key to a successful, problem-free renovation. “I have quite a wonderful group of people that I’ve built up over the years that can execute my designs,” she says. “I think that’s one of the bonuses my clients have in me—my intellectual knowledge, all the years of experience I’ve had and having the right people working with me. I have a wonderful contractor who I can totally count on. Everyone I work with shows up when they’re supposed to and completes their jobs on time and on budget.”

Creating custom-designed furnishings like tables, seating, media and wall units, pillows and artwork further enables Gray to create personalized spaces for clients. “I have a millwork company, an upholstery workroom, a drapery workroom,” she explains, adding, “What I do is very unique and very specific for each client. I like to think of my design as couture. Everything is custom-designed and made specifically for each client.”


This penchant for designing home furnishings has led to a new business venture for Gray: a line of custom furniture based on some of the limited edition, custom pieces that she’s created for past projects. At press time, possible manufacturing partners and marketing initiatives for the line were still being worked out, according to Gray.

LUXURY HOME PATRICIA GRAY INC 4The master bedroom is on a corner, with windows along two walls. Patricia Gray Inc. custom motorized silk draperies and roller shades control the natural light reflecting from the silver leaf ceiling. The linens are by Frette bedding with an Hermes throw and Patricia Gray Inc. pillows made with Jim Thompson fabric.

Creating elegant, personalized spaces will no doubt continue to be Gray’s métier. When asked what she considers the most rewarding part of her job, she quickly responds, “When I hand over the completed project to my clients—when all the months of work are finished, and they see everything in its beauty and perfection.”

Discover more about Patricia Gray.

PATRICIA GRAY INC is an award winning interior design firm writing about lifestyle and
WHAT'S HOT in the world of interior design, architecture, art and travel.
2011 © Patricia Gray | Interior Design Blog™

Jumat, 15 Juli 2011

Glaciarium - Museo Del Hielo (Ice Museum)

Glaciers are a powerful combination of natural elements and weather phenomena. The shapes that we chose are simple: horizontal bars with a single sloped roof for the warehouses, vertical prisms for the towers.
Interior spaces are a consequence of these collisions and adjustments.  The building is made of materials that are cheap and fast to assemble: Metal clad warehouses with metal frames, for the pavilions housing the museum´s contents and the hall, and reinforced concrete and Styrofoam bearing walls  for the office and service towers.

Layout

The big hall is the most important element of the ensemble, welcoming the visitors and guiding them towards the pavilions where the actual museum contents are located. It is a long horizontal bar-shaped volume with slanted side elevations, built of corrugated steel and with big glazed openings. The Glaciobar, an ice bar fully clad with solid ice blocks, is located at the basement level.

Construction systems

Two systems were employed to build the Museum.  Metal frames clad in corrugated steel for the pavilions and the main building, and a mixed system called cassaforma, and load bearing walls made of  a Styrofoam core, with a steel mesh and projected concrete cladding, for the towers and the basement. The interior of the pavilions is clad with sheetrock panels, with fiberglass thermal insulation.

Sustainability measures

During the design process the team decided to minimize the impact of the building on the site.
The soil surrounding the building was left untouched. No landscaping was designed except for dirt roads approaching the building from the highway. The radial arrangement of volumes helps mitígate the impact of the heavy patagonic winds on the structure.

Cassaforma has one of the most efficient thermal insulation coefficients Fiberglass insulation was used in the pavillions, and celluose insulation was utilized on the main pavilions. Fresh air will be utilized when possible to minimize energy consumption.  LED lighting devices were used in the main hall, the auditorium foyer and for the exterior lighting.

Type Cultural - Museum
Location Patagonia Sur, Argentina
Building status built
A project by: Santiago Cordeyro Arquitectos
Architecture

Photo Gallery of Glaciarium - Museo Del Hielo (Ice Museum)







Jewish Community Center Mainz

The volume of the building is situated parallel to the streets and its facades are in line with the existing neighboring buildings, thus creating a contained street space. The use of the urban figure of the perimeter block pattern for the building, highly unusual for religious buildings, also questions the position of sacrality within the urban context.
By orienting the part of the building housing the synagogue towards the East two squares or open spaces are created: An internal garden for the community offering room for recreation and celebration and a public square in front of the main entrance oriented towards the city center and offering an open space to the neighborhood within a densely built-up urban fabric. As the program for the synagogue and community center demands its main functions to be lo- cated on ground floor, the building rises to significant heights for reasons of functional or spatial quality, otherwise remaining low. Thus a volume is shaped that continiously alternates between high and low points, thereby formulat- ing an urbanistic response to its context. The precise articulation of this profile is informed by the theme of writing and its relationship to space.

In its history Judaism has never developed a strong tradition of building. Also on the level of individual words and letters, an object quality is expressed in the writings. Qadushah) is the Hebrew word for raising or blessing, whose five characters in an abstracted way articulate(
קדושה the profile of the building. Multiple perspectives with the windows being their vanishing points emerge within the building’s facade. This spatial quality is enhanced by the transparent green glazing of the ceramic tiles, which reflects the shifting light conditions of its surroundings and displays a wide array of hues and shades.

The organization of a synagogue space is usually characterized by a certain inner contradiction: Synagogues are on one hand oriented and directed towards East or Jerusalem. On the other hand, as the reading of the Torah is performed from a central position in space and from the midst of the community, emphasis lies on a centralized space. This inherent contradiction is spatially resolved by a horn- like roof that distinctly orients the space towards the East, but bringing the light right into the center of the space, falling exactly onto the position from where the Bible is read. The interior surfaces of the synagogue are shaped by densely packed Hebrew letters forming a mosaic-like relief, though creating no semantic content. ‘Piyutim’ (religious poetry) written by the rabbis of Mainz from the 10th and 11th century are carved into the surfaces of the synagogue. Furthermore, the Jewish community center houses office spaces, school rooms and two apartments as well as the multipurpose space of the community. This multipurpose space represents the social and cultural heart of the community and will be used for internal purposes as well as for public events for and by the whole city.

Type: Cultural - Cultural Center
Location: Mainz, Germany
Building status: built in 2010
Building area: 2500 m2
Budget total: 8250000 USD
A project by: Manuel Herz Architects, Architecture


Photo Gallery of Jewish Community Center Mainz






Zamet Centre (3LHD)

3LHD architecture was design sport architecture building of Zamet Centre. This building is located in Rijeka’s quarter Zamet, the new Zamet Centre in complete size of 16830 m2 hosts various facilities: sports hall with max 2380 seats, local community offices, library, 13 retail and service spaces and a garage with 250 parking spaces.
The joint conceptual and design element of the handball hall and the Zamet Centre are ‘ribbons’ stretching in a north-south direction, simultaneously functioning as an architectural design element of the objects and as a zoning element which forms a public square and a link between the north – park-school and the south – the street. One third of the hall’s volume is built into the terrain, and the building with its public and service facilities has been completely integrated into the terrain, i.e. it creates it with its ‘ribbons’.

The hall has been designed for major international sports competitions, in compliance with state-of-the-art world sports standards. The design of the hall has been conceived as a very flexible space.

Architect: 3LHD - Sasa Begovic, Tatjana Grozdanic Begovic, Marko Dabrovic, Silvije Novak, Paula Kukuljica, Zvonimir Marcic, Leon Lazaneo, Eugen Popovic, Nives Krsnik Rister, Andrea Vukojic
Location: B. Vidas Street, Zamet, Rijeka, Croatia
Project year: 2004-2008
Construction:  Dec 2007,  October 2009
Geolocation: 45-20-39 N, 14-24-0 E
Site area: 12.289 m2
Size: 16.830 m2
Volume: 88.075 m2
Footprint: 4.724 m2
Budget: 20 mil €

 Photo Gallery of Zamet Centre (3LHD)





 

Jumat, 01 Juli 2011

Maggie’s Centre Fife, Scotland

Maggie's Centre Fife is located in Kirkaldy, Scotland. The building was designed by renowned architect Zaha Hadid. The building stands is a program drop-in cancer care center. The Maggie's Centre Fife is within the grounds of Victoria Hospital in Kirkcaldy. Providing a resource and counseling center for people with cancer, Maggie's Fife is domestic in scale but unique in execution. For more details, please refer to the concept of building from the Maggie's Centre Fife we have taken from the official website owned by Zaha Hadid.
Photography © Chris Gascoigne
Maggie's Centre Fife Building Concept

The Maggie’s Centre Fife is within the grounds of Victoria Hospital in Kirkcaldy. Providing a resource and counselling centre for people with cancer, Maggie’s Fife is domestic in scale but unique in execution.

Maggie’s Centre Fife is located on the edge of a hollow adjacent to the hospital. The hollow has a dramatic topography, which in combination with the natural foliage and trees creates a very distinctive protected environment in stark contrast to the other facilities of Victoria Hospital. As a single storey construction, Maggie’s Fife is a continuation of the existing tree-line that surrounds this natural hollow. The centre has been designed as a transition between the two different types of spaces – the natural landscape and the hospital. By using various study models, Zaha Hadid Architects explored how an edge to the hollow could be developed which transforms itself into a building envelope – becoming a gateway to the natural landscape. (Source: http://www.zaha-hadid.com)

Photo Gallery of Maggie's Centre Fife

Photography © Werner Huthmacher
Photography © Werner Huthmacher
Photography © Werner Huthmacher
Photography © Chris Gascoigne
Photography © Hélène Binet
Photography © Chris Gascoigne