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Senin, 13 Februari 2012

Eleanor Roosevelt College, California, USA

The Eleanor Roosevelt College, an undergraduate campus at University of California San Diego, creates a home for a college which had previously been spread throughout the campus, lacking a cohesive unity. The site is bound on the east by Ridge Walk, one of the University’s primary pedestrian thoroughfares, while Scholars Drive, a primary bus route, cuts the site in two.
The 450,000 square foot college includes residence halls, apartments, dining and meeting facilities, student lounges, academic offices, computer labs and a five-level parking garage for 1,000 cars. Main entry points to the campus are the Ridge Walk, on the northeast corner, and at the Great Hall on the southern edge.

© Timothy Hursley



The west side of the campus is organized around the Green, a large expanse of lawn intended as the campus’ main outdoor congregating area. The Green acts as the heart of the campus, anchored on the north by the Dining Hall and flanked by residence halls and apartments. A pedestrian bridge over Scholars Drive and a series of ramping and stepped walkways extending downhill through the site weave the two sides of the campus together. To preserve the site’s panoramic ocean views, buildings do not exceed four stories and step down the sloping site, and the parking garage is sunken.

The housing, which is all wood frame construction, includes space for 450 students in residence halls and 740 students in apartments, with a variety of unit types available including flats and townhouses. The Residence Halls are made up of 4-story buildings which flank the Green. The apartments, in suites of 4 students, include sizeable kitchens and living rooms; the lower levels with sunken gardens and upper levels with terraces.

Location: La Jolla, California, USA
Structural Engineer: Nabih Youssef Associates
MEP: ARUP
Civil Engineer: Flores Lund Consultants
Landscape: Wallace Roberts & Todd
Lighting: Robert Morrow
Project Area: 450,000 sqf
Photographs: Timothy Hursley
Architects: Safdie Rabines Architects and Moshe Safdie & Associates

Photo Gallery of Eleanor Roosevelt College, California, USA

© Timothy Hursley

© Timothy Hursley

© Timothy Hursley


© Timothy Hursley

© Timothy Hursley


(Source: archdaily.com)

Jumat, 09 Desember 2011

Hongqiao SOHO, China

A design for a new office and retail destination that aims to provide a strong visual identity close to Hongqiao Transportation Hub near Shanghai’s city centre and Hongqiao Airport.
Render © Zaha Hadid Architects

The building envelope is defined by  four elongated elements tied together by a sinuous retail podium and a continuous metallic ribbon that wraps them – a calligraphic gesture which will be highly recognizable. Such simplicity is contrasted by the added complexity of a ‘squeeze’ applied to the middle area.
Zaha Hadid continues to design the East. Here there is a new project by Zaha Hadid: HONGQIAO SOHO Shanghai, China (2010-2013). In a strategical position, near  to Hongqiao Transportation Hub and in proximity to Hongqiao Airport and Shanghai’s city centre. Zaha Hadid Architects’ proposal aims to provide a new identity which establishes it as a unique destination in its own right.  The building envelope is defined by four main components: four elongated elements tied together by a sinuous retail podium and continuous metallic ribbon that wraps them, and a green roof, a calligraphic gesture which will be highly recognizable.
Architect: Zaha Hadid Architects

Design: Zaha Hadid with Patrik Schumacher

Project Director: Manuela Gatto

Project Architect: Edgar Payan

Consultants' Coordinator: Ed Gaskin

Design Team:

Ai Sato, Adrian Krezlik, Andrea D’Imperio, Arturo Revilla, Carlos Parraga Botero, Claudia Doner, Dennis Brezina, Gordana Jakimovska, Helen Lee, Laurence Dudeney, Kaloyan Erevinov, Maren Klasing, Maria Rodero,
Mei-Lin Ling, Michael Harris, Muriel Boselli, Osbert So, Yang Jinwen

Competition Team:

Ergin Birinci, Maria Tsiorni, Michael Rissbacher, Seda Zirek, Spyridon
Kaprinis, Xiaosheng Li

Local Design Institute:


SIADR – Shanghai Institute of Architectural Design & Research, Ltd.

Structural:


SIADR – Shanghai Institute of Architectural Design & Research, Ltd.

MEP / Services: Parsons Brinckerhoff


Sustainability: AECOM
 
Photo Gallery of Hongqiao SOHO Shanghai, China
 
Whole View of Hongqiao SOHO (Render © Zaha Hadid Architects)

Whole View of Hongqiao SOHO (Render © Zaha Hadid Architects)

Up View of Hongqiao SOHO (Render © Zaha Hadid Architects)

Exterior of Hongqiao SOHO (Render © Zaha Hadid Architects)

Interior of Hongqiao SOHO (Render © Zaha Hadid Architects)

Park View of Hongqiao SOHO (Render © Zaha Hadid Architects)

Interior of Hongqiao SOHO (Render © Zaha Hadid Architects)
 Source: http://www.zaha-hadid.com
http://www.design42day.com

Jumat, 15 Juli 2011

Glaciarium - Museo Del Hielo (Ice Museum)

Glaciers are a powerful combination of natural elements and weather phenomena. The shapes that we chose are simple: horizontal bars with a single sloped roof for the warehouses, vertical prisms for the towers.
Interior spaces are a consequence of these collisions and adjustments.  The building is made of materials that are cheap and fast to assemble: Metal clad warehouses with metal frames, for the pavilions housing the museum´s contents and the hall, and reinforced concrete and Styrofoam bearing walls  for the office and service towers.

Layout

The big hall is the most important element of the ensemble, welcoming the visitors and guiding them towards the pavilions where the actual museum contents are located. It is a long horizontal bar-shaped volume with slanted side elevations, built of corrugated steel and with big glazed openings. The Glaciobar, an ice bar fully clad with solid ice blocks, is located at the basement level.

Construction systems

Two systems were employed to build the Museum.  Metal frames clad in corrugated steel for the pavilions and the main building, and a mixed system called cassaforma, and load bearing walls made of  a Styrofoam core, with a steel mesh and projected concrete cladding, for the towers and the basement. The interior of the pavilions is clad with sheetrock panels, with fiberglass thermal insulation.

Sustainability measures

During the design process the team decided to minimize the impact of the building on the site.
The soil surrounding the building was left untouched. No landscaping was designed except for dirt roads approaching the building from the highway. The radial arrangement of volumes helps mitígate the impact of the heavy patagonic winds on the structure.

Cassaforma has one of the most efficient thermal insulation coefficients Fiberglass insulation was used in the pavillions, and celluose insulation was utilized on the main pavilions. Fresh air will be utilized when possible to minimize energy consumption.  LED lighting devices were used in the main hall, the auditorium foyer and for the exterior lighting.

Type Cultural - Museum
Location Patagonia Sur, Argentina
Building status built
A project by: Santiago Cordeyro Arquitectos
Architecture

Photo Gallery of Glaciarium - Museo Del Hielo (Ice Museum)







Jewish Community Center Mainz

The volume of the building is situated parallel to the streets and its facades are in line with the existing neighboring buildings, thus creating a contained street space. The use of the urban figure of the perimeter block pattern for the building, highly unusual for religious buildings, also questions the position of sacrality within the urban context.
By orienting the part of the building housing the synagogue towards the East two squares or open spaces are created: An internal garden for the community offering room for recreation and celebration and a public square in front of the main entrance oriented towards the city center and offering an open space to the neighborhood within a densely built-up urban fabric. As the program for the synagogue and community center demands its main functions to be lo- cated on ground floor, the building rises to significant heights for reasons of functional or spatial quality, otherwise remaining low. Thus a volume is shaped that continiously alternates between high and low points, thereby formulat- ing an urbanistic response to its context. The precise articulation of this profile is informed by the theme of writing and its relationship to space.

In its history Judaism has never developed a strong tradition of building. Also on the level of individual words and letters, an object quality is expressed in the writings. Qadushah) is the Hebrew word for raising or blessing, whose five characters in an abstracted way articulate(
קדושה the profile of the building. Multiple perspectives with the windows being their vanishing points emerge within the building’s facade. This spatial quality is enhanced by the transparent green glazing of the ceramic tiles, which reflects the shifting light conditions of its surroundings and displays a wide array of hues and shades.

The organization of a synagogue space is usually characterized by a certain inner contradiction: Synagogues are on one hand oriented and directed towards East or Jerusalem. On the other hand, as the reading of the Torah is performed from a central position in space and from the midst of the community, emphasis lies on a centralized space. This inherent contradiction is spatially resolved by a horn- like roof that distinctly orients the space towards the East, but bringing the light right into the center of the space, falling exactly onto the position from where the Bible is read. The interior surfaces of the synagogue are shaped by densely packed Hebrew letters forming a mosaic-like relief, though creating no semantic content. ‘Piyutim’ (religious poetry) written by the rabbis of Mainz from the 10th and 11th century are carved into the surfaces of the synagogue. Furthermore, the Jewish community center houses office spaces, school rooms and two apartments as well as the multipurpose space of the community. This multipurpose space represents the social and cultural heart of the community and will be used for internal purposes as well as for public events for and by the whole city.

Type: Cultural - Cultural Center
Location: Mainz, Germany
Building status: built in 2010
Building area: 2500 m2
Budget total: 8250000 USD
A project by: Manuel Herz Architects, Architecture


Photo Gallery of Jewish Community Center Mainz






Zamet Centre (3LHD)

3LHD architecture was design sport architecture building of Zamet Centre. This building is located in Rijeka’s quarter Zamet, the new Zamet Centre in complete size of 16830 m2 hosts various facilities: sports hall with max 2380 seats, local community offices, library, 13 retail and service spaces and a garage with 250 parking spaces.
The joint conceptual and design element of the handball hall and the Zamet Centre are ‘ribbons’ stretching in a north-south direction, simultaneously functioning as an architectural design element of the objects and as a zoning element which forms a public square and a link between the north – park-school and the south – the street. One third of the hall’s volume is built into the terrain, and the building with its public and service facilities has been completely integrated into the terrain, i.e. it creates it with its ‘ribbons’.

The hall has been designed for major international sports competitions, in compliance with state-of-the-art world sports standards. The design of the hall has been conceived as a very flexible space.

Architect: 3LHD - Sasa Begovic, Tatjana Grozdanic Begovic, Marko Dabrovic, Silvije Novak, Paula Kukuljica, Zvonimir Marcic, Leon Lazaneo, Eugen Popovic, Nives Krsnik Rister, Andrea Vukojic
Location: B. Vidas Street, Zamet, Rijeka, Croatia
Project year: 2004-2008
Construction:  Dec 2007,  October 2009
Geolocation: 45-20-39 N, 14-24-0 E
Site area: 12.289 m2
Size: 16.830 m2
Volume: 88.075 m2
Footprint: 4.724 m2
Budget: 20 mil €

 Photo Gallery of Zamet Centre (3LHD)





 

Jumat, 01 Juli 2011

Maggie’s Centre Fife, Scotland

Maggie's Centre Fife is located in Kirkaldy, Scotland. The building was designed by renowned architect Zaha Hadid. The building stands is a program drop-in cancer care center. The Maggie's Centre Fife is within the grounds of Victoria Hospital in Kirkcaldy. Providing a resource and counseling center for people with cancer, Maggie's Fife is domestic in scale but unique in execution. For more details, please refer to the concept of building from the Maggie's Centre Fife we have taken from the official website owned by Zaha Hadid.
Photography © Chris Gascoigne
Maggie's Centre Fife Building Concept

The Maggie’s Centre Fife is within the grounds of Victoria Hospital in Kirkcaldy. Providing a resource and counselling centre for people with cancer, Maggie’s Fife is domestic in scale but unique in execution.

Maggie’s Centre Fife is located on the edge of a hollow adjacent to the hospital. The hollow has a dramatic topography, which in combination with the natural foliage and trees creates a very distinctive protected environment in stark contrast to the other facilities of Victoria Hospital. As a single storey construction, Maggie’s Fife is a continuation of the existing tree-line that surrounds this natural hollow. The centre has been designed as a transition between the two different types of spaces – the natural landscape and the hospital. By using various study models, Zaha Hadid Architects explored how an edge to the hollow could be developed which transforms itself into a building envelope – becoming a gateway to the natural landscape. (Source: http://www.zaha-hadid.com)

Photo Gallery of Maggie's Centre Fife

Photography © Werner Huthmacher
Photography © Werner Huthmacher
Photography © Werner Huthmacher
Photography © Chris Gascoigne
Photography © Hélène Binet
Photography © Chris Gascoigne