Sabtu, 30 April 2011

Minimalist Design History


Minimalist Design History. Minimalist architecture that was emerging was not a new architectural form. Early 1920s until the shine back in 1990′s, was present with a trigger factor, the interpretation and application of “simplicity” is typical, from one architect to another architect.Actually, Le Corbusier and Ludwig Mies van der Rohe are two of the many architects who give the color effect of simplicity (simplicity), which significantly in the dynamics of minimalist architecture from the past until now.
Minimalist House
An art critic in the book’s Juan Carlos Rego Minimalism: Design Source reveals, minimalistsculpture, interior, architecture, fashion, and music. However, early growth and the growth drivers of the minimalist style in various fields are typical and can not be generalized. architecture design is an approach that reflects the aesthetic of simplicity. The phenomenon is growing in various fields, such as painting.

Minimalist in painting and sculpture known as Minimal Art, ABC Art, or Cool Art. Arc of simplicity minimal art can be perceived from the expression of the painter Frank Stella: “What you see is what you see.

Minimal art developed in the Americas in the 1960s as a reaction to the flow of abstract-expressionism that dominated the art world in the 1950s. Abstract-expressionism exposeexposing minimal art universal values through abstract and geometric shapes in mathematical composition. individual emotional value.

Minimalist in architectural emphasize the things that are essential and functional. Elementary geometric forms without ornament or decoration into his character. Referring to the opinion of Carlos Rego, it can be said of minimalist architecture began to grow in the early 20th century known as the modern century, the century which enlivened many advances as a result of the industrial revolution.

Innovation of various materials such as steel, concrete, and glass, standardization, and efficiency gives new challenges in the design world. Various ideas put forward at the local architects in Europe and America. At that time they had been trying to find new architecture format that reflects the spirit time to try maninggalkan influence of classical architecture. (“Ragam Inspirsi Fasad Rumah Minimalis”, Reyhan Arrasuli, things. 18-19).

Some groups who interpret the architect’s progress day by maintaining the spirit of the decorative design of classical architecture, but using nonklasik motive. Example, Art Deco architecture of the 1920s.

There also are exploring the pure geometric shapes and antidekorasi, as seen in the work of Le Corbusier in the 1920s. There also are exploring the integration progress of industry, technology in architecture, and antidekorasi, as seen in the work of Ludwig Mies van der Rohe. Two of the last group which implies form of elementary, functional, and antidekorasi this could be called a minimalist architectural design.

Over time, the integration of industrial and technological progress in building architecture dominate the architectural development. Her presence is felt in various parts of the world makes it dubbed as the International Style.

Minimalist Home Design


Minimalist Home Design. Home design lately developed very fast. We can find various types of design houses that flourished in today’s society, among other home design Mediterranean, modern, minimalist, classic and so forth. This is mandatory according to the development of time, we increasingly realize that the role of design and architects are very influential for the beauty of our home designs. The design is minimalist style house with grow very rapidly lately. Usually the circles are interested in using the minimalist style of the house is from those who are still youthful. The young executives liked the minimalist architectural style, because style is considered practical and can represent their modern lifestyle. This style is considered a modern architecture but still retains the form of a simple house.
Minimalist House

Actually, minimalist style is not an architectural style, but behind it, this style has the answer to the challenge of time that is getting ‘the most out of something that is minimal’. It may be that this represents a minimal fund housing construction, or a lifestyle that is minimized. Often this style is used because of limited funds, but it becomes very interesting because with this limitation we can still follow the latest architectural fashion trends.

Check it, display homes house without excessive ornamentation, use of materials exposed material so impressed honest in appearance, is not excessive. When looking for supposing, as a young executive who wanted to go to the office, with elegant clothing that is not excessive, clean and practical. But because this is a fashion, then we still feel ‘has part’ of the mode of growth. For many, this is very fun (you might also like to follow the current fashion?)

The style is minimalist in essence is an answer to the situation triggered by the people who adopts minimalism in protest over the state of society who do not appreciate the natural resources with an all-out to exploit natural resources for things that are not necessary in everyday life . Minimalism movement is a movement ‘back to basics’ or return to simplicity, it is said of this movement arose in America that is a matter that can be considered positive from a movement of modern times.

For those of us who enjoy a modern lifestyle, this style could be an option to complement the style of our daily life. For example if the couple husband and wife in one house are both working, and accustomed to a lifestyle that is fast, simple and practical.

However, in a minimalist design style house, we need to consider compliance with the climate. Because the house is a minimalist modern style house which is very simple and comes not from our country, we need to pay attention to tropical climatic factors such as rain and hot sun, among others, by making our homes could be dealt with tampias sun or heat.

Healthy Tiny Houses




Healthy Tiny Houses. Healthy home is a dream house for everyone. House is one of basic human needs, in addition to clothing, food and health. Therefore must be healthy and comfortable home for residents will be working to improve the productivity and quality of life.

Design houses that are less precise and less qualified environmental health is the main factor of risk sources of various kinds of disease transmission, particularly for diseases based on the environment. Many found out there the houses are shabby and coincide with the coupled atmosphere-crush of an unhealthy environment. For that it is time the architect to create a healthy and comfortable home for occupancy. Despite the small house, but the house has a healthy and comfortable atmosphere.

Healthy or not a house or dwelling is based on the character of its inhabitants themselves. Because if inmates have the temperament and character of a slacker, then the house would be messy and less eye-catching.

In general a healthy home can be said if it meets several criteria as follows.
Meet the Needs of Physiological
Lighting, penghawan and enough room to maneuver, to avoid disturbing noise.
Meeting the Psychological Needs
Privacy sufficient, healthy communication between family members and residents of the house.
Meets Requirements for Prevention of Disease Transmission
namely, prevention of transmission of disease among residents of the house with the provision of clean water, management of excreta and household waste, free of disease vectors and rodents, residential density is not excessive, adequate sunlight in the morning, protecting them from contamination of food and beverages, as well as adequate lighting and penghawaan.
Meet The occurrence of Accident Prevention Terms
namely, the prevention of accidents, whether they arise due to circumstances outside or inside the house, among others, the position of boundary line roads, construction of which is not easily collapsed, non-flammable and does not tend to make the occupants fell slipped.

Besides the things above, should also be noted on Kostruksi Houses which will be digunanakan when it will build a house. Home construction in question is as follows.

Bamboo
1.Konstruksi
If usuk using bamboo, bamboo cutting to note how good and true, cultivated slaughtering position right on the field, or if not so be on the end of the bamboo, so as not to damp and will not become a nest for rats.

2. Roof Slope Angle
To kemiringang roof angle can be adjusted with the material to be used, it will be conducted for the rain water can flow properly. Here is the recommended amount of angle to the roofing material.

• The roof of Nature Materials: 30 degrees
• Roof tiles: 25 degrees
• Asbestos roof, Zinc: 15 degrees.

3. Placement Langit-langit/Plafon

placement of the ceiling is made in such a way that allows there is still room between the roof and the ceiling, so the residents can enter to clean and repair the area under the roof.

4. House Floor

Floor of the house should always be sought dry, then the floor should be adjusted with high local environmental conditions, cultivated home floor should be higher than at ground level.

5. Wallpapers Home

If the double wall will be created there must be no space between the walls of one with didning to be made, because it feared a rat's nest, and if made of bricks or the like attempted to use the correct mixture composition according to applicable standards.

Thus the criteria for a healthy and comfortable home. Creating a Healthy Home Tiny not to be a dream anymore.

House on Lake Okoboji


House on Lake Okoboji. Located in rural Iowa, Lake Okoboji is a part of a glacial lake system surprisingly located amidst endless cornfields, 2.5 hours from the nearest metropolitan area. This allowed for a sense of total privacy within the house itself. Volumetrically simple from the exterior, opaque and slatted vertical Ipe clads a stacked set of spatial tubes (the primary living spaces) that are open to the lake and woods views, but visually closed to neighbors on the sides. We formed the house’s spatial tubes around view axes running through the site, perceptually linking the lake through the forest to the fields beyond.  Dense service spaces (“program solids”) fill the remaining volume. This space bounds the primary living spaces while suggesting connections and extensions to the surrounding landscape, lake and sky.  

House on Lake Okoboji
As spaces become increasingly intimate, the intensity of color increases as well.  Here color becomes equivalent to the Lake that dominates the spatial tubes, providing and autonomous interiority in contrast to the site-oriented "tubes". In addition to the house and site, we were also responsible for all furniture, fabrics and finishes in the house. We selected and supplied most of the furniture, designed window coverings and selected custom fabrics for many of the furniture selections. We designed and fabricated several feature tables for the house, including a custom, CNC-milled cabinet for the master bedroom.
House on Lake Okoboji
House on Lake Okoboji
Materials & Systems: Wood-frame construction with steel structural frames, cast-in-place concrete walls, blown-in & rigid insulation, and hollow-core concrete slabs. Exterior:  concrete, sustainably-harvested Ipe cladding, aluminum composite panels, aluminum curtain walls, windows and doors; Interior: integral-colored concrete topping slabs with in-floor radiant heat, formaldehyde-free sanded/sealed OSB, custom-colored eco resin, polycarbonate, plastic laminate, Baltic birch plywood, painted steel, stainless steel, with commercial & custom furniture & fabrics by the architects.
House on Lake Okoboji Interior
House on Lake Okoboji Interior
A project by                : Min | Day Architecture
Type                            : Residential - Single family residence
Location                     : Lake Okoboji, Iowa, United States
Building Status          : Built

Jeongok Prehistory Museum


Jeongok Prehistory Museum. The river, meandering through a landscape, a bridge stretched between two hills, a threshold a bridge over the abyss. We wanted to pay homage to the landscape of the water's edge that saw the first inhabitants of Korea, and recognize the beauty of the curve of the two hills, an echo of the meandering river. How to enhance this pre-existing form and its underground geological fault: digging the fault, let him speak to the history of the Earth by reducing the visual control of the project, to give expression to this fault, enshrining the building Inside the hill was dug and build reserves in the basement.
Jeongok Prehistory Museum
By revealing the abyss (and the sky too, since the edges of the pit), an inflection central building: the link between earth and heaven is staged in the dressing of a "skin changing", reflecting the cliff from below Thus prepared, the project appears as a bridge stretched between two hills, visible from far away from the highway.
The natural threshold that represents the fault, and the emotion that results will be used to make a symbolic threshold for access to the "prehistoric". Which will also access the "Prehistoric Park" Can we create paths, multiple paths through curves and hills of the project, because the paths, created by the animals that drink down to the river was already in the landscape of the "first men" ... "a vessel of the time" of abstract form and timeless: This is time travel! We wanted the public to experience living here, meeting with "early man" and be welcomed into a different world of everyday experience, closer to the landscape than the building.
Jeongok Prehistory Museum
Paleolithic men did not live like us in the midst of spaces constructed standardized. They evolved in landscapes, forests, floodplains, deltas wet they knew all the intricacies. The rocks and bare earth were their daily lives, as familiar as the land of our homes. The physical and intellectual experience through a course, but also by the break with conventional forms of referents, the appeal of abstract forms and timeless for: let him speak the geography of the place outside the facility let him speak to the museum inside outside a threshold, a bridge over the precipice Internally, the project seems entirely made of the same material, and first archaic, and as fashioned from the soil of the hill.

"Development chasm" and shell shimmering metallic double skin punctures variable, undulating, and soft, almost organic appearance of the facade is changing as the skin of a reptile glass more or less depending on the location, fluctuating following the light, it becomes steel mirror underside, reflecting the image of the great fault. The museum, "door" access to Prehistoric Park: From the highway, the museum seems like a strange and timeless volume, gently sparkling, "tense" between two hills. Around, the landscape is restored, cleansed of encroachments and restored to its original identity of the natural environment of the river bank. The car disappeared under the trees to the east of the site. The site replanted finds its pristine A walk along the fault condition puts the visitor. As early humans, it progresses along the bend in the middle of wild grasses. The rift is widening, and with it, the suspense ... the approach, the museum appears, then set into the hillside in its underside stainless steel mirror, the reflection of the gulf suddenly unveiled, and finally the gap itself, that it will cross over a bridge. Crossing the abyss, you reach the entrance to the museum and the single "Prehistorik park. In the museum, a circuit loop that extends into the park Prehistorik: At the top of the stairs, an open space directly distributes, reception, access to museum and exhibition, cafeteria and room conference, educational activities and multimedia lab. The visitor moves around the loop event spaces project: exhibition and conference hall. Back in the distribution space he can return to the store or in the museum ... The spaces of educational activities and media are open and activities can be observed by visitors, encouraging them to participate. Imagined spaces as landscapes: the first men did not live in "rooms" but in open spaces. Inhabitants of the banks of the river, they roamed freely meandering landscape.
Jeongok Prehistory Museum
Flow paths are born structuring the scene. Inside the museum, its scenic runs are designed to image, like a landscape. The flow guide no one theme to another, the paths meet, free range, the possible returns. An envelope "servant" which frees the space: The walls of varying thickness include all services necessary for the life of the building and the museum structure, fluid, ventilation, and electricity, lighting and audio equipment, but also showcases museum , reserves educational bar, public sanitary and technical facilities. The walls are continuous from floor to ceiling. The networks can be developed, according to the needs all around the building. Light and views of the landscape: The envelope dims the light like a fishnet. The double wall glazing and shading includes perforated metal and can fully control the heat exchange building in winter and summer.
Jeongok Prehistory Museum Interior
The natural light is adjustable to the application as required staging scenic. Spaces embedded in the hill are lit naturally by "light cones" At the zenith of the cafeteria and the central area home, panoramic windows open onto the landscape design: - The intention: to share the emotion of the paleontologist who discovered the soft ground of a cave, the traces of bare feet of a child - a set design that can grow with the advancement of research - The project offers "scenic scalable tools" to combine together: the walls "images" to texts, plans, drawings and films. "walls servants" which will incorporate the windows as and when new discoveries. soil malleable recomposable white clay to reconstruct archaeological sites and find the emotion of the "discoverer of site" and "columns servants" to make the landscape and move from one place or era to another.

Depending on their position, they bring light, serve to support projection or installation ... They are freely arranged in "islands" forming micro-themed areas in the path of ground power supplies and video regularly distributed in the ceiling - the sequences: the presentation on the Paleolithic site Jeongok: human evolution from the Paleolithic era to the prehistoric times are scattered in the archipelago "column for" the large installation recreating a site 'archaeological excavation: it is visible from the entrance and serves as a call, but discovers the full end of term. - The scenic common areas: the multimedia interactive open access is common to the exhibition and the museum's "precipitous doms" transparent windows facing the empty can see the gulf from the balcony on the gulf where one yawning before going to the museum spaces and the outdoor gazebo at the top of the hill (Prehistoric Park). This walk outside in the Prehistoric Park also forms a loop circuit where you can go through the reception area and central A workshop on "Multimedia-lab". 

The workshop is equipped as a museum space, a floor model for learning archaeological techniques, walls for projections, but also for workshops patterned walls of rock paintings and the floor strewn with large stone where the 'we sit for the workshops of "flint" Multimedia-lab is located in continuity of the cafeteria because it can operate in either group activity or as an "internet cafe archaeological" The internal functions of the museum and deliveries : Administration and Office of researchers, the rest room staff, are located along the exhibition spaces, hard at work preparing the new exhibits.Reserves and collections not on display, local maintenance are located in the showroom, and served by a hoist from the top of the movement "Prehistorik park Thus the organization of the building takes advantage of dual-access made possible by the situation in slope: low public and delivery of high Hill, out of the public visiting hours.

Type                      : Cultural - Museum
Location               : Gyeonggi governement 
                                Jeongok 
                                Korea, Republic of
Building status    : built in 2010
Site size              : 72600 m2
Building area      : 6700 m2

Construction of the Burj al-Arab

Construction of the Burj al-Arab began in 1994, and opened to visitors on December 1, 1999. The design takes the form of the display of a dhow (traditional Arabic boat). Close to the peak, there is a helipad (helicopter landing site), and the restaurant Al Muntaha (highest in Arabic) on the other side, who were detained by the cantilever (wall that jut out as a drag balcony) above sea level. One unique element is the atrium wall facing the beach, made of Teflon-coated fiberglass fabric. The interior was designed by Khuan Chew.



Building Construction:
High 321 meter Burj Tower

Built on a triangular-shaped artificial island, a distance of 290 meters from the beach Jumerah Dubai, with a side length of 150 m, open fields around the building area of ​​7.5 m from the sea.

Area of ​​"gross area" is 1.2 million square feet with a height of 28 two-room floors, each floor   height is 7 m.

The length of the bridge to the artificial island 450 m.

Sidewalk or shore artificial islands covered with hollow concrete (reinforced special steel) with a hollow sloping toward the sea surface which can absorb waves without wasting water on the island.

The structure of diagonal steel concrete (terekpos can break wind and refreshing), founded over 250 concrete piles which penetrate into the pole deep seabed more than 40 m.

Between the two wings there is a large triangular atrium overlooking the beach, which is covered by a double skinned, Teflon coated woven glass fiber screen, the technology was first used in vertical form.

Construction of the building has spent 70,000 cubic meters of concrete and 9,000 tons of steel.

Artificial Island Construction:

To make the basic building (islands) that are safe, then plugged in as many as 230 40-meter long concrete piles into the pile of sand, with perinsip use friction force bearing capacity of sand and mud. The surface of artificial islands covered with piles of large rocks that lined / reinforced with steel beronjong (honey-comb), which is rust resistant to prevent erosion of the foundation of the building. For the manufacture of these artificial islands spent 3 years of the contract period of 5 years implementing this project.

Here are the stages and process of making construction of the island:
  
Tubes / temporary piles embedded into the seabed.

Lembran (temporary) wall / pile (sheet piles) and pole / pillar reinforcement embedded into the seabed to hold the boundary of the circle of stone "rocks bounds" (see Figure 1)

Limit permanent, heap "bounds rock" mounted on the side of the sheet pile (sheet piles) that circles the extent artificial island that will be created.

Then put the sheet / saplings preventive / barrier seepage water (hydraulic fill layers) and to protect it by filling / piled with piles of soil / sand to form dike (see Figure 2) then also fill the base layer to prevent sea water resepan.

Unit hollow concrete (reinforced special steel), which permanently installed around the island to protect from blow wave.

Pile / foundation 2 m in diameter embedded into the seabed as deep as 43 m as the basis or foundation of the next building structure (see Figure 3)

The mounted mall / trunk temporary dam.

The concrete slab thickness of 2 m mounted on the base of the island.

Proceed with the construction of concrete retaining wall "Retaining Wall" and the ground floor "basement" (see Figure 4)

Tom Wright Biography




Tom Wright (born 18 September, 1957) is a British Architect. His most famous design is the Burj Al Arab in Dubai, United Arab Emirates. Born in Croydon, a town in Greater London, United Kingdom on 18 September 1957, Wright studied at the Royal Russell School and then later at the Kingston University School of Architecture. Qualified in 1983, Wright went on to become a director of the architectural practice Lister Drew Haines Barrow, which was taken over in 1991 by Atkins, for whom he has worked since then.

The Burj Al Arab (Tower of the Arabs) was conceived in October 1993 and finished in 1999. The brief was to create an icon for Dubai: a building that would become synonymous with the area, as the Sydney Opera House is with Sydney and the Eiffel Tower is with Paris. The hotel is built in the shape of a modern yacht sail to reflect Dubai′s seafaring heritage combined with a modern aspect moving forwards into the future.

Since 1999 Tom Wright has continued to work for Atkins as Head of Architecture from the Atkins H.Q. in Epsom, London. Here he has assisted design projects for some of the most prestigious international clients. The current portfolio includes work throughout Australasia, the Far East, the Middle East, Europe and the USA. Example projects include the Al-Rajhi Tower in Riyadh, and the Lakeside Hotel, Tunisia.

Gelora Bung Karno Stadium


Gelora Bung Karno Stadium is a multipurpose stadium in Jakarta, Indonesia which is part of the sports complex Bung Karno Stadium. The stadium is commonly used as an arena football game at the international level. The stadium is dinma to honor Sukarno, Indonesia's first president, who is also a figure who sparked the idea of ​​building this sports complex. In order to de-Soekarnoisasi, the New Order era, the stadium name was changed to the Stadium Utama Senayan. After the passage wave of reform in 1998, the name of the stadium was restored to its original name through Presidential Decree No. 7 / 2001.
Gelora Bung Karno Stadium


With a capacity of about 100,000 people, the stadium which was built in mid 1958 and its first phase completion in the third quarter of 1962 is one of the largest in the world. Toward the Asian Cup 2007, made ​​renovations to the stadium that reduce the stadium capacity to 88,083 spectators.

Its construction financed with soft loans from the Soviet Union amounted to 12.5 million U.S. dollars a certainty obtained on December 23, 1958. And of course with substantial funds that it makes this sport galanggang as the largest football stadium in Indonesia.Hingga today, Bung Karno stadium was the only truly international standard in Indonesia.
Gelora Bung Karno Stadium
Data Stadium
  • Lighting: 1200 lux
  • Length sentel tire: 800 meters
  • The length of the field: 110 meters
  • Field Width: 60 meters
  • capacity audience: 130,000 viewers
  • capacity plan that is coming: 200,000 viewers

Burj al-Arab Hotel in Dubai

Architecture Skyscraper: Burj al-Arab Hotel in Dubai. Burj al-Arab is a luxury hotel located in Dubai, United Arab Emirates. Building the Burj al-Arab, designed by Tom Wright, reaching a height of 321 meters and is the tallest building is fully used as a hotel. This building stands on an artificial island located 280 m offshore in the Persian Gulf. Burj al-Arab is owned by Jumeirah. 
Burj al-Arab Exterior
The hotel is often referred to as seven-star hotel. It is considered a hyperbole by those in the field of tourism. It is also seen as a way to "beat" the other hotels who called six star hotel. Unfortunately, almost all hotels in the world ranking system has a limit of five stars. According to the official site of Burj al-Arab, the hotel is there a "five-star hotel deluks."

Construction of the Burj al-Arab began in 1994, and opened to visitors on December 1, 1999. The design takes the form of the display of a dhow (traditional Arabic boat). Close to the peak, there is a helipad (helicopter landing site), and the restaurant Al Muntaha (highest in Arabic) on the other side, who were detained by the cantilever (wall that jut out as a drag balcony) above sea level. One unique element is the atrium wall facing the beach, made of Teflon-coated fiberglass fabric. The interior was designed by Khuan Chew.

Burj al-Arab also has the tallest atrium lobby in the world, as high as 180 meters. Atrium can surround the World Trade Center (WTC) Dubai soaring as high as 38 floors - the tallest building in Dubai from the late 1970s until the mid-1990s. The smallest room can be rented at the Burj al-Arab area reaches 169 square meters. Transit is 'just' 1,000 U.S. dollars per night. Meanwhile, usually the most expensive suite costs $ 15,000 U.S.. While the Royal Suite - Presidential Suite kind in Indonesia - rewarded 28,000 U.S. dollars per night, or approximately USD 260 million. Though rewarded with a super-expensive fare, the Royal Suites reportedly always filled.
Burj al-Arab Interior
Upon entering the Burj al-Arab you are greeted by friendly hotel by guards. In Burj al-Arab lobby you will immediately be struck not just by the smell of fragrant spices that spreads throughout the room but also by the ornament of a fountain that can be dancing and jumping up and down rhythmically. Of course, good at dancing fountain which is regulated by super-sophisticated technology. To memperindahnya, the basis of the pond where the fountain was adorned with a new dance-rock colorful.

Not only that, retaining walls go up or down stairs, made not of the usual marble walls, but a giant aquarium that was occupied by hundreds of species of sea water fish that swim freely. So, as if the Burj al-Arab was in the ocean. Just like in the lobby, on this floor we can also find the fountain that can dance, plus a colorful coral ornaments at the bottom.

What distinguishes it, on this floor there are also live performances from a number of Middle Eastern traditional music players. Meanwhile, if we looked up to the top, will appear to the pillars of steel that was structured so that there was a magnificent tower. It is said that the tower structure is made to last more than 50 years.

Although you do not intend to stay, you will feel satisfaction because it can be seen at once climbed one of the grandest buildings ever made known to man and the world. There was little surprise when you will leave the Burj al-Arab, even though you are not the guests staying there, the clerk still invite you to taste the original dates of Dubai are delicious, fragrant, thick fleshed, sweet and seedless, too.

In addition to the Burj al-Arab, in Dubai you can also visit Jumeirah, which is a seaside residential area in Dubai. This region contains a large and expensive properties, and houses built with a variety of architectural styles. This area is popular with Western expatriates working in the United Arab Emirates, is also among the tourists who visit Dubai.

Exposing Brick Walls in Bedroom


Exposing Brick Walls in Bedroom. Who says design bedroom wall just purely white, bed cover, and wood cabinets. You can make it different. Exposed brick on the walls of the rooms also okay!

If you are a delight with all the smells of nature, this design would fit. Bemainlah with headboard wall. Make a point of interest is interesting. 

As the walls of this bedroom headboard. The design is made differently. Usually the wall is finished using cement and paint, this time with a natural left unfinished. The bricks are left exposed here. It looks more and more beautiful by laying down a few points of light lamps strengthen the wall texture. Headboard wall became an attractive point of interest in the bedroom.

Views of other furniture that can be made compatible with exposed brick walls. Bed cover bed could use materials that are white or natural. So also with a blanket, could use a natural brown color.

But on the other hand, there is little contrast in the closet. Built-in cabinets that are made on the side wall of the bed just wearing smoke mirrors contemporary material. This is an interesting contrast side. Furniture reflection in the mirror even more to unite the entire contents of the room. Bedroom that is not too extensive even to be more relieved.

Alex, an interior designer from Genious Loci revealed that the bedroom is designed for young couples. The design is made casually and not rigid. Suitable for young couples who tend to taste casual and easy to accept new things.

You want to look youthful and different bedrooms? Never be afraid to try!

Jumat, 29 April 2011

Queens West (Stage II)

Architecture Landscape: Queens West (Stage II). As prime consultant and lead designer, Abel Bainnson Butz, LLP (ABB) led a team of ten design, engineering and environmental firms to design the public parks and street infrastructure for this 13-acre waterfront development project. 

The park includes a 2,100 linear foot waterfront esplanade, a sweeping central lawn area framed with informal block seating, constructed cove wetlands, an 8,000 square foot children’s play area, kiosk and a community garden with a contemporary arbor, trellis and garden shed. Novel entry structures with integrated signage demarcate the major entries. For seating and lounging options, park users can choose among broad hammocks, Adirondack-style chairs on raised wood decks, chaise lounges, benches and chairs along the esplanade, and moveable café-style furnishings at the vendor kiosk and community garden.

Queens West (Stage II)
Queens West (Stage II)
ABB worked closely with product developers to refine concrete pavers containing recycled glass. Photovoltaic systems on park buildings and a demonstration grey water system also made their way into the final design.

Queens West (Stage II)
Queens West (Stage II)
Type                 : Public - Park
Location          : 47th Ave & Center Boulevard
                           Queens, New York, 11101
                           United States
Building status: Built in 2009
Site type          : Urban
A project by     : Abel Bainnson Butz, LLP
                           Landscape

Parallaxe Boogie-Woogie


Architecture Landscape: Parallaxe Boogie-Woogie
Parallax Boogie-Woogie
International Garden Festival, MetisGardens,
2003-2004
Grand Metis, Quebec, Canada

"Imagination is more important than knowledge."
Einstein.

"Parallax Boogie-Woogie" is a playful construction based on the labyrinth and its complex geometrical patterns. This garden installation juxtaposes a web of 350 green plastic tubes and plants onto a 3,200 square feet ground plane. Ground, tubes, and plants melt into a monochromatic ensemble of greenery. Movement through this dynamic porous composition animates the parallax.


Parallax Boogie-Woogie
Parallax Boogie-Woogie references the networks, chaotic flows, and hyperactivity of contemporary society into a field of playfulness and exile from rationality into the autonomous territory of Homo Ludens. Within the vastness of the Canadian forest, it transforms nature, often perceived as an hostile environment filled with scary creatures, into a playful one. This labyrinth creates a cultured space in the mist of a wild expanse of forest. As landscape historian Peter Jacobs says, "The three-dimensional transparent trellis of a yellow labyrinth, Parallax Boogie-Woogie, weaves its mysterious path between the forest and the clearing of the garden site. The open weave of the tubular trellis dissolves the strict geometry of the plan of the labyrinth; everything is in motion "
Parallax Boogie-Woogie
Visitors can lie on a hammock, climb a short run of stairs to an overview of the site, or simply sit on a bench that punctuates the winding pathway. The floor consists of a delightfully soft and pliable covering of finely crushed glass that adds to the sensual pleasure of the voyage.
Parallax Boogie-Woogie
Type                : Cultural
                           Public - Park
Location          : 200, route 132
                           Grand-Métis, G0J 1Z0
                           Canada
Building status: built in 2004
Site size          : 365 m2
Building area  : 365 m2
Budget total    : 20000 USD
A project by    : EKIP
                          Architecture, Landscape